3x3: Illustrators, Hoopers, and Severance’s Weird-Ass Offices
3x3 Mark Britt 3x3 Mark Britt

3x3: Illustrators, Hoopers, and Severance’s Weird-Ass Offices

I like information in clusters of three. I’m a generalist by nature, so this helps me dig into the stuff I’m thinking about and frame it. It could be brand design, NBA fashion, or the latest comics creators. Whatever’s rattling around in my head this week—this is where it lands.

This week, it’s all over the place: illustrators whose work I admire, NBA players I will irrationally defend, and the unsettlingly perfect art direction of Severance.

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3x3: FANTASTIC (SORRY) EDITION
COMICS, 3x3 Mark Britt COMICS, 3x3 Mark Britt

3x3: FANTASTIC (SORRY) EDITION

Listen, my friend. Marvel movies had me in a chokehold for YEARS. But after Endgame, I was done. Like Steve Rogers at the end I was just tapped out. Good luck, y’all. Then I saw that new Fantastic Four teaser and damn it, I felt something. So let’s talk about what makes Marvel’s First Family so damn cool in this week’s 3x3

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3 Studios, 3 Trends, All Fire
DESIGN, 3x3 Mark Britt DESIGN, 3x3 Mark Britt

3 Studios, 3 Trends, All Fire

The 3x3 concept keeps things simple—three key insights at a time, whether it’s brand design, NBA fashion, or the latest in comic books. Dive in, get inspired, and maybe even rethink your own creative game. 

This week I’m covering brand design. I cover typographers who treat motion like a mixtape and the minimalists who make silence deafening. Branding that bends, stretches, and reworks itself in real time. A clash of raw structures and electric, neon chaos. And a movement proving that looking good and doing good aren’t mutually exclusive. How does a notoriously heavy movement making brands fresh?

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